Chord Phantom Kasmaran
[intro] E
A B
Di saat ku membuka mata
E C#m
Ku lihat wanita yang terindah
F#m B
Dia tersipu enggan bicara
E
Dapatkah aku temaninya
A B
Beribu-ribu macam cara
E C#m
Menyentuh pesonanya yang ada
F#m B
Dia tersenyum oh sungguh manja
E
Ketika ku sapa dirinya
Chord Phantom
A B
Oh sungguh aku tak kuasa
G#m C#m
Menahan semua rasa yang ada
F#m
Jika ku tak bisa ku tak mampu
B
Untuk bersamanya
[chorus]
A B
Pasti akan mati mati aku sungguh mati
G#m C#m
Bila tak ada cinta di hatiku
F#m B E
Biarkanlah diriku Untuk terus bersamamu
A B
Cinta cinta cinta itu indah
G#m C#m
Bila kau rasakan dengan sepenuh hati
F#m B A
Ijinkanlah aku untuk tetap mencintamu
A B
Beribu-ribu macam cara
E C#m
Menyentuh pesonanya yang ada
F#m B
Dia tersenyum oh sungguh manja
E
Ketika ku sapa dirinya
Phantom Kasmaran
A B
Oh sungguh aku tak kuasa
G#m C#m
Menahan semua rasa yang ada
F#m
Jika ku tak bisa ku tak mampu
B
Untuk bersamanya
Chord kasmaran
[chorus]
A B
Pasti akan mati mati aku sungguh mati
G#m C#m
Bila tak ada cinta di hatiku
F#m B E
Biarkanlah diriku Untuk terus bersamamu
A B
Cinta cinta cinta itu indah
G#m C#m
Bila kau rasakan dengan sepenuh hati
F#m B A
Ijinkanlah aku untuk tetap mencintamu
[interlude] A B E C#m F#m B E
A B G#m C#m F#m B
A B
Mati mati aku sungguh mati
G#m C#m
Bila tak ada cinta di hatiku
Phantom Kasmaran
A B
Mati mati aku sungguh mati
G#m C#m
Bila tak ada cinta di hatiku
F#m B E
Biarkanlah diriku Untuk terus bersamamu
A B
Cinta cinta cinta itu indah
G#m C#m
Bila kau rasakan dengan sepenuh hati
F#m B A
Ijinkanlah aku untuk tetap mencintamu
[outro] E
Chord Phantom Kasmaran
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Friday, February 26, 2010
Monday, February 22, 2010
Chord Audioslave Like A Stone
Chord Audioslave Like A Stone
Am G
On a cobweb afternoon
E F
In a room full of emptiness
Am G
By a freeway I confess
E F
I was lost in the pages
Am G
Of a book full of death
E F
Reading how we’ll die alone
Am G
And if we’re good we’ll lay to rest
E F
Anywhere we want to go
Chord Like A Stone
(chorus)
Am C G Am
In your house I long to be
Am C G Am
Room by room patiently
Am F Am
I’ll wait for you there
G Am F Am
Like a stone I’ll wait for you there
E
Alone
Am
On my deathbed
G
I will pray
E F
To the gods and the angels
Am G
Like a pagan to anyone
E F
Who will take me to heaven
Am G
To a place I recall
E F
I was there so long ago
Am
The sky was bruised
G
The wine was bled
E F
And there you led me on
Audioslave Like A Stone
(chorus)
Am C G Am
In your house I long to be
Am C G Am
Room by room patiently
Am F Am
I’ll wait for you there
G Am F Am
Like a stone I’ll wait for you there
E E
Alone,Alone…….
Audioslave Like A Stone
F C
And on I read
E F
Until the day was done
Fm Dm7
And I sat in regret
E Am
Of all the things I’ve done
F C
For all that I’ve blessed
E F
And all that I’ve wronged
Fm Dm7
In dreams until my death
E
I will wander on
Chord Audioslave Like A Stone
Am G
On a cobweb afternoon
E F
In a room full of emptiness
Am G
By a freeway I confess
E F
I was lost in the pages
Am G
Of a book full of death
E F
Reading how we’ll die alone
Am G
And if we’re good we’ll lay to rest
E F
Anywhere we want to go
Chord Like A Stone
(chorus)
Am C G Am
In your house I long to be
Am C G Am
Room by room patiently
Am F Am
I’ll wait for you there
G Am F Am
Like a stone I’ll wait for you there
E
Alone
Am
On my deathbed
G
I will pray
E F
To the gods and the angels
Am G
Like a pagan to anyone
E F
Who will take me to heaven
Am G
To a place I recall
E F
I was there so long ago
Am
The sky was bruised
G
The wine was bled
E F
And there you led me on
Audioslave Like A Stone
(chorus)
Am C G Am
In your house I long to be
Am C G Am
Room by room patiently
Am F Am
I’ll wait for you there
G Am F Am
Like a stone I’ll wait for you there
E E
Alone,Alone…….
Audioslave Like A Stone
F C
And on I read
E F
Until the day was done
Fm Dm7
And I sat in regret
E Am
Of all the things I’ve done
F C
For all that I’ve blessed
E F
And all that I’ve wronged
Fm Dm7
In dreams until my death
E
I will wander on
Chord Audioslave Like A Stone
Ancient Greek Music
Ancient Greek Music is an integral part of modern music, although many parts and elements which are not known. Music plays a very important role in almost every aspect of life for the people of ancient Greece. At that moment they heard the general meeting and at their dinner, private parties, at their ceremony, both happy and sad; it was heard in every act of worship, every time the people mentioned above, or pray to, or give thanks to the gods. Ancient Greek music they heard in the theater, every time a tragedy or comedy is staged, and on the basis of sport as an athlete to compete. It sounded at their school, on board their ships, and even on the battlefield. If ever a man who just claim to be called music lovers, it was the Greeks.
In reviewing a variety of musical activities, it will need to make frequent mention some of the instruments used in general. A complete report on all important instrument is difficult to explain fully, but it would be enough to describe three of them very briefly:
1) The kithara is a large wooden stringed instrument, played with a plectrum. This is supported by the left arm high in front of the players, who usually play up. Phorminx instruments mentioned by Homer and by a later poet, is the forerunner of kithara, like the sound and function, but slightly smaller.
2) The aulos (avlos in Greek) is a pair of pipes, the reeds vibrate their spokesman, were arrested in front of the player.
3) The lute is a stringed instrument, smaller, played in the same way as kithara, but often under-performed in the player's lap when he sat down.
Ancient Greek music was never far from the major religious festivals. Two of the most important music festival in Athens in Ancient Greece, the Great Panathenaia and Dionysian, reorganized and expanded in the late sixth century BC, and in the form of those involved to develop a lot of music. So far the majority of Greek music - ethnic music as a whole - made up of songs, either solo or chorus. Sometimes they play their own instruments, but most of them serve to accompany the human voice. There was usually accompanied (except when someone is singing to amuse herself while doing some other things), but subordinate role.
This is conventional, in writing about ancient greek music, to sound the lament that "the music itself 'almost entirely lost. As far as the melody line in question, this is true: we are only a few dozen specimens to represent a thousand years' full line, and almost all of the post-music composition.
Of all the large amount of music composed over the centuries between (say) 600 BC and AD 400, which may be a significant part has been written at one time or another, we only have a sad collection of small value, ranging from the length of the second Delphi achievement, which may has lasted for about 15 minutes in performance, for a few minutes fragments that contain less than a dozen words, and less than a complete record. In addition, apart from two small fragments that may have been prepared by Euripides we have no remains of the sixth or fifth century BC, the period of lyric poetry, tragedy and comedy. Both Delphi paians is the earliest substantial piece that we have, and they date from the late second century BC.
There are many doubts and disputes about how many scores are actually written in antiquity. Fifth-century drama of playwright seems to have been available to the public in written form quite soon after the original production. It is also to be remembered that the texts were copied laboriously by hand, apparently the editor will read from the master text, and a group of scribes would take him down from dictation; it must be very tedious and lengthy process. These texts contain highly unlikely musical notation, because only a very small minority of professional musicians would want that, or could use it, and only the composer and musicians will be able to write it.
Yet, music experts today to find the roots of several music genres of Byzantine and modern Greek music in Ancient Greek music,traditional greek music, and other give us clues about how the overall sound and rhythm of ancient Greek music is played ....
In reviewing a variety of musical activities, it will need to make frequent mention some of the instruments used in general. A complete report on all important instrument is difficult to explain fully, but it would be enough to describe three of them very briefly:
1) The kithara is a large wooden stringed instrument, played with a plectrum. This is supported by the left arm high in front of the players, who usually play up. Phorminx instruments mentioned by Homer and by a later poet, is the forerunner of kithara, like the sound and function, but slightly smaller.
2) The aulos (avlos in Greek) is a pair of pipes, the reeds vibrate their spokesman, were arrested in front of the player.
3) The lute is a stringed instrument, smaller, played in the same way as kithara, but often under-performed in the player's lap when he sat down.
Ancient Greek music was never far from the major religious festivals. Two of the most important music festival in Athens in Ancient Greece, the Great Panathenaia and Dionysian, reorganized and expanded in the late sixth century BC, and in the form of those involved to develop a lot of music. So far the majority of Greek music - ethnic music as a whole - made up of songs, either solo or chorus. Sometimes they play their own instruments, but most of them serve to accompany the human voice. There was usually accompanied (except when someone is singing to amuse herself while doing some other things), but subordinate role.
This is conventional, in writing about ancient greek music, to sound the lament that "the music itself 'almost entirely lost. As far as the melody line in question, this is true: we are only a few dozen specimens to represent a thousand years' full line, and almost all of the post-music composition.
Of all the large amount of music composed over the centuries between (say) 600 BC and AD 400, which may be a significant part has been written at one time or another, we only have a sad collection of small value, ranging from the length of the second Delphi achievement, which may has lasted for about 15 minutes in performance, for a few minutes fragments that contain less than a dozen words, and less than a complete record. In addition, apart from two small fragments that may have been prepared by Euripides we have no remains of the sixth or fifth century BC, the period of lyric poetry, tragedy and comedy. Both Delphi paians is the earliest substantial piece that we have, and they date from the late second century BC.
There are many doubts and disputes about how many scores are actually written in antiquity. Fifth-century drama of playwright seems to have been available to the public in written form quite soon after the original production. It is also to be remembered that the texts were copied laboriously by hand, apparently the editor will read from the master text, and a group of scribes would take him down from dictation; it must be very tedious and lengthy process. These texts contain highly unlikely musical notation, because only a very small minority of professional musicians would want that, or could use it, and only the composer and musicians will be able to write it.
Yet, music experts today to find the roots of several music genres of Byzantine and modern Greek music in Ancient Greek music,traditional greek music, and other give us clues about how the overall sound and rhythm of ancient Greek music is played ....
Sunday, February 21, 2010
Chord Gita Gutawa Harmoni Cinta
Chord Gita Gutawa Harmoni Cinta
Em B
Ada yang bergerak di dalam dadaku ini
E Am
Seperti ku kenal pernah kurasakan
D B
Waktu aku jatuh cinta
Em D
Waktu hatiku tertarik
F# B
asanya pun begini Jatuh cinta
Chord Gita Gutawa
Em B
Apakah ini sama seperti yang itu
E Am
Hatiku bergerak Aku jatuh cinta
D B
Dinding hatiku berlagu
Em D
Harmoni cinta menyentuh
F# B
Pipiku pun merona Jatuh cinta
[chorus]
E B C#m F#m E B
Harmoni cintaku kini datang
G# C#m B
Nyanyikan suara hatiku
F#m B E
Berlagu penuh cinta
[int] B D B D B
Gita Gutawa Harmoni Cinta
Em B
Apakah ini sama seperti yang itu
E Am
Hatiku bergerak Aku jatuh cinta
D B
Dinding hatiku berlagu
Em D
Harmoni cinta menyentuh
F# B
Pipiku pun merona Jatuh cinta
[interlude] Fm C F A#m D# C Fm D# G C
C# G# A#m G# D#m C# G#
F A#m G# D#m G# A#m C
Chord Harmoni Cinta
[chorus]
F C Dm Gm F C
Harmoni cintaku kini datang
A Dm C
Nyanyikan suara hatiku
Gm C Dm C
Berlagu penuh cinta
A Dm C
Nyanyikan suara hatiku
Gm C F
Berlagu penuh cinta
[outro] C D# C D# C F
Chord Gita Gutawa Harmoni Cinta
Em B
Ada yang bergerak di dalam dadaku ini
E Am
Seperti ku kenal pernah kurasakan
D B
Waktu aku jatuh cinta
Em D
Waktu hatiku tertarik
F# B
asanya pun begini Jatuh cinta
Chord Gita Gutawa
Em B
Apakah ini sama seperti yang itu
E Am
Hatiku bergerak Aku jatuh cinta
D B
Dinding hatiku berlagu
Em D
Harmoni cinta menyentuh
F# B
Pipiku pun merona Jatuh cinta
[chorus]
E B C#m F#m E B
Harmoni cintaku kini datang
G# C#m B
Nyanyikan suara hatiku
F#m B E
Berlagu penuh cinta
[int] B D B D B
Gita Gutawa Harmoni Cinta
Em B
Apakah ini sama seperti yang itu
E Am
Hatiku bergerak Aku jatuh cinta
D B
Dinding hatiku berlagu
Em D
Harmoni cinta menyentuh
F# B
Pipiku pun merona Jatuh cinta
[interlude] Fm C F A#m D# C Fm D# G C
C# G# A#m G# D#m C# G#
F A#m G# D#m G# A#m C
Chord Harmoni Cinta
[chorus]
F C Dm Gm F C
Harmoni cintaku kini datang
A Dm C
Nyanyikan suara hatiku
Gm C Dm C
Berlagu penuh cinta
A Dm C
Nyanyikan suara hatiku
Gm C F
Berlagu penuh cinta
[outro] C D# C D# C F
Chord Gita Gutawa Harmoni Cinta
Chord Zigaz Aku Adalah Aku
Chord Zigaz Aku Adalah Aku
[intro] C
C G/B Am
aku tak pernah minta dilahirkan
C G/B Am F
tuk isi sebuah kekosongan peran
C G/B Am
ku kini disini tlah ku ikrarkan
C G/B Am F
ku harus jadi sesuatu lebih dari sesuatu
C G/B Am
tak akan ku ikuti jejak kaki
C G/B Am F
yang bukan milikku sendiri
C G/B Am
meski padang rumput tak jua tampak
C G/B Am F
meski lembah juang bertebaran aku harus bertahan
Zigaz Aku Adalah Aku
[chorus]
C G A
apa makna hidup di bumi
Dm C F G
tak bisa dijawab harus dijalani
C G A
aku adalah diri sendiri
Dm A/C# C G
bukan kamu, bukan dia, bukan mereka
C
aku adalah aku
C G/B Am
Tuhan pun pasti tau yang terbaik
C G/B Am F
tapi ku juga harus berusaha
C G/B Am
keringat juga jadi bagian dari doa
C G/B Am F
ku harus jadi sesuatu lebih dari sesuatu
Zigaz Aku Adalah Aku
[chorus]
C G A
apa makna hidup di bumi
Dm C F G
tak bisa dijawab harus dijalani
C G A
aku adalah diri sendiri
Dm A/C# C
bukan kamu, bukan dia, bukan mereka
G C
aku adalah aku
Chord Aku Adalah Aku
[int] C Dm F A# 2x
C Dm F A#
apa makna hidup di bumi
C Dm F A#
aku adalah diri sendiri
[chorus]
D A B
apa makna hidup di bumi
Em D G A
tak bisa dijawab harus dijalani
D A B
aku adalah diri sendiri
Em B D A
bukan kamu, bukan dia, bukan mereka
D A B
apa makna hidup di bumi
Em D G A
tak bisa dijawab harus dijalani
D A B
aku adalah diri sendiri
Em B D
bukan kamu, bukan dia, bukan mereka
A G A# D
aku adalah aku
Chord Zigaz Aku Adalah Aku
[intro] C
C G/B Am
aku tak pernah minta dilahirkan
C G/B Am F
tuk isi sebuah kekosongan peran
C G/B Am
ku kini disini tlah ku ikrarkan
C G/B Am F
ku harus jadi sesuatu lebih dari sesuatu
C G/B Am
tak akan ku ikuti jejak kaki
C G/B Am F
yang bukan milikku sendiri
C G/B Am
meski padang rumput tak jua tampak
C G/B Am F
meski lembah juang bertebaran aku harus bertahan
Zigaz Aku Adalah Aku
[chorus]
C G A
apa makna hidup di bumi
Dm C F G
tak bisa dijawab harus dijalani
C G A
aku adalah diri sendiri
Dm A/C# C G
bukan kamu, bukan dia, bukan mereka
C
aku adalah aku
C G/B Am
Tuhan pun pasti tau yang terbaik
C G/B Am F
tapi ku juga harus berusaha
C G/B Am
keringat juga jadi bagian dari doa
C G/B Am F
ku harus jadi sesuatu lebih dari sesuatu
Zigaz Aku Adalah Aku
[chorus]
C G A
apa makna hidup di bumi
Dm C F G
tak bisa dijawab harus dijalani
C G A
aku adalah diri sendiri
Dm A/C# C
bukan kamu, bukan dia, bukan mereka
G C
aku adalah aku
Chord Aku Adalah Aku
[int] C Dm F A# 2x
C Dm F A#
apa makna hidup di bumi
C Dm F A#
aku adalah diri sendiri
[chorus]
D A B
apa makna hidup di bumi
Em D G A
tak bisa dijawab harus dijalani
D A B
aku adalah diri sendiri
Em B D A
bukan kamu, bukan dia, bukan mereka
D A B
apa makna hidup di bumi
Em D G A
tak bisa dijawab harus dijalani
D A B
aku adalah diri sendiri
Em B D
bukan kamu, bukan dia, bukan mereka
A G A# D
aku adalah aku
Chord Zigaz Aku Adalah Aku
Saturday, February 13, 2010
Advertising At Its Best
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Using promotional products to advertise a business is a brilliant idea. Definitely it’s the most effective way to brand your company. Excell Print & Promotions would be of great help since they have a wide variety of promotional products to choose from. Out of more than 300,000 promotional items, you will definitely find the advertising or business promotional products that you are looking for. So whether it’s for corporate gifts, tradeshows, Christmas giveaways and any other advertising ideas, seek help from Excell Print & Promotions, the authority in custom printing and promotional products.
Monday, February 08, 2010
Chord Keyla Selalu Menjagamu
Chord Keyla Selalu Menjagamu
Am F G
Am
Hidupku mungkin tak terasa indah
Am F G
Jika kau tak ada di sisiku
Am
Kangenku kini telah berganti terang
Am
Sejak kau di sini
F G
Warnai hidupku
Keyla Selalu Menjagamu
[chorus]
F G Am G
Pegang janjiku tuk selalu menjagamu
F G Am
Dalam setiap langkahmu
Am
Jiwakua ku relakan untukmu
Am F G
Jika kau tak ada tinggalkan dunia
Chord Selalu Menjagamu
[chorus]
F G Am G
Pegang janjiku tuk selalu menjagamu
F G Am
Dalam setiap langkahmu
F G Am G
Genggam erat tanganku saat kau rapuh
F G
Ku kan ada
Chord Keyla Selalu Menjagamu
[solo] F Em F Am G
F Em Am Dm Em G
Chord Keyla
[chorus]
F G Am G
Pegang janjiku tuk selalu menjagamu
F G Am
Dalam setiap langkahmu
F G Am G
Genggam erat tanganku saat kau rapuh
F G Am
Ku kan ada ada untuk mu
Keyla Selalu Menjagamu
F G Am G
Pegang janjiku tuk selalu menjagamu
F G Am
Dalam setiap langkahmu
F G Am G
Genggam erat tanganku saat kau rapuh
F G
Ku kan ada
Am
Chord Keyla Selalu Menjagamu
Am F G
Am
Hidupku mungkin tak terasa indah
Am F G
Jika kau tak ada di sisiku
Am
Kangenku kini telah berganti terang
Am
Sejak kau di sini
F G
Warnai hidupku
Keyla Selalu Menjagamu
[chorus]
F G Am G
Pegang janjiku tuk selalu menjagamu
F G Am
Dalam setiap langkahmu
Am
Jiwakua ku relakan untukmu
Am F G
Jika kau tak ada tinggalkan dunia
Chord Selalu Menjagamu
[chorus]
F G Am G
Pegang janjiku tuk selalu menjagamu
F G Am
Dalam setiap langkahmu
F G Am G
Genggam erat tanganku saat kau rapuh
F G
Ku kan ada
Chord Keyla Selalu Menjagamu
[solo] F Em F Am G
F Em Am Dm Em G
Chord Keyla
[chorus]
F G Am G
Pegang janjiku tuk selalu menjagamu
F G Am
Dalam setiap langkahmu
F G Am G
Genggam erat tanganku saat kau rapuh
F G Am
Ku kan ada ada untuk mu
Keyla Selalu Menjagamu
F G Am G
Pegang janjiku tuk selalu menjagamu
F G Am
Dalam setiap langkahmu
F G Am G
Genggam erat tanganku saat kau rapuh
F G
Ku kan ada
Am
Chord Keyla Selalu Menjagamu
Chord Vagetoz Dia
Chord Vagetoz Dia
G C D G
Dia cinta dalam hidupku
Em A D
Takkan pernah ku berpaling darimu
G C D G
Dia anugerah terindahku
Em A D
Takkan ada yang bisa sepertimu
Dm Am Em
Maafkanlah aku
Gm Dm E A
Yang selalu jauh darimu
F Am Em
Semua ku lakukan
Gm Dm E A
Tak lain hanya untuk dirimu
[chorus]
D A
Katakan sayang
Bm A G E/G# A
Bila kau merindukanku di sana
D A Bm A
Akupun sama di sini
G E/G# A
Merindukanmu selalu
Chord Dia
F#m Bm
Usah menangis
F#m Bm
Akupun sedih
Em A
Sayangku Sayangku
[solo] Am G F 2x
Dm Em
Maafkanlah aku
Gm Dm E A
Yang selalu jauh darimu
F Am Em
Semua ku lakukan
Gm Dm E A
Tak lain hanya untuk dirimu
Chord Vagetoz Dia
[chorus]
D A
Katakan sayang
Bm A G E/G# A
Bila kau merindukanku di sana
D A Bm A
Akupun sama di sini
G E/G# A
Merindukanmu selalu
F#m Bm
Usah menangis
F#m Bm
Akupun sedih
Em A
Sayangku Sayangku
Chord Vagetoz
D A
Katakan sayang
Bm A G E/G# A
Bila kau merindukanku di sana
D A Bm A
Akupun sama di sini
G E/G# A
Merindukanmu selalu
Vagetoz Dia
F#m Bm
Usah menangis
F#m Bm
Akupun sedih
Em A
Sayangku Sayangku
[outro] Am G F 2x
Chord Vagetoz Dia
G C D G
Dia cinta dalam hidupku
Em A D
Takkan pernah ku berpaling darimu
G C D G
Dia anugerah terindahku
Em A D
Takkan ada yang bisa sepertimu
Dm Am Em
Maafkanlah aku
Gm Dm E A
Yang selalu jauh darimu
F Am Em
Semua ku lakukan
Gm Dm E A
Tak lain hanya untuk dirimu
[chorus]
D A
Katakan sayang
Bm A G E/G# A
Bila kau merindukanku di sana
D A Bm A
Akupun sama di sini
G E/G# A
Merindukanmu selalu
Chord Dia
F#m Bm
Usah menangis
F#m Bm
Akupun sedih
Em A
Sayangku Sayangku
[solo] Am G F 2x
Dm Em
Maafkanlah aku
Gm Dm E A
Yang selalu jauh darimu
F Am Em
Semua ku lakukan
Gm Dm E A
Tak lain hanya untuk dirimu
Chord Vagetoz Dia
[chorus]
D A
Katakan sayang
Bm A G E/G# A
Bila kau merindukanku di sana
D A Bm A
Akupun sama di sini
G E/G# A
Merindukanmu selalu
F#m Bm
Usah menangis
F#m Bm
Akupun sedih
Em A
Sayangku Sayangku
Chord Vagetoz
D A
Katakan sayang
Bm A G E/G# A
Bila kau merindukanku di sana
D A Bm A
Akupun sama di sini
G E/G# A
Merindukanmu selalu
Vagetoz Dia
F#m Bm
Usah menangis
F#m Bm
Akupun sedih
Em A
Sayangku Sayangku
[outro] Am G F 2x
Chord Vagetoz Dia
Chord Kerispatih Cinta Sampai Mati
Chord Kerispatih Cinta Sampai Mati
C D G
teringatlah dirimu
C D G
saat kau bersamaku
C D G Em
memulai sebuah arti cinta
A/C# B
yang sebenarnya
C D G
dan kita trus melangkah
C D G
tak terasa smakin jauh
C D G
tanamkan kesejatian
A/C# Cm
hingga kita tak mampu berpisah
Kerispatih Cinta Sampai Mati
Em D G
kau kini tak sendiri lagi
Em D G
dan aku juga tlah menjalani
Am Cm
seseorang yang mencintaiku
Kerispatih Cinta Sampai Mati chord
C D G D/F# Em D
maafkan keadaan ini
C D G D/F# Em D
ku tak bisa lagi bersamamu
C D G D/F# Em D
Tuhanlah yang pasti mengerti
Am D G
aku tetap menantimu
Chord Kerispatih Cinta Sampai Mati
C D G
teringatlah dirimu
C D G
saat kau bersamaku
C D G Em
memulai sebuah arti cinta
A/C# B
yang sebenarnya
C D G
dan kita trus melangkah
C D G
tak terasa smakin jauh
C D G
tanamkan kesejatian
A/C# Cm
hingga kita tak mampu berpisah
Kerispatih Cinta Sampai Mati
Em D G
kau kini tak sendiri lagi
Em D G
dan aku juga tlah menjalani
Am Cm
seseorang yang mencintaiku
Kerispatih Cinta Sampai Mati chord
C D G D/F# Em D
maafkan keadaan ini
C D G D/F# Em D
ku tak bisa lagi bersamamu
C D G D/F# Em D
Tuhanlah yang pasti mengerti
Am D G
aku tetap menantimu
Chord Kerispatih Cinta Sampai Mati
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